After 1808, the tipografias had been allowed and had been printed the primeiroslivros, created an important one public library, was possible to matter obrasestrangeiras, had confided courses and established some schools superiores' ' With this event presence was also perceived deestudiosos, scientists, artists, travellers of other countries or mesmobrasileiros that had had the chance to study in the exterior. Missesartsticas in 1816 had established what &#039 is called today; ' Academy Artes&#039 Beautiful; ' , offering the courses of drawing, painting, engraving, among others. With the separation of Portugal the Brazilians had searched acivilizao, and as Antonio Cndido had traced these ideals: decomrcio freedom, thought, national representation, instruction end of the regimeescravista etc. Seeing the country with other eyes, with the reliable look edeterminao to also develop in this nationality its estilosliterrios without needing to copy of its colonizadoras roots other people’s styles, can exist inheritances, but the representatives of this period had wanted substituirtoda and any similarity. They had explored the beauties natural in its poetries and you chat. When some of these were exiled, distant of the native land as poetGonalves Days with the poem that was the landmark for the beginning of the romantismo: Canodo Exile; Joaquin Manoel de Macedo with the emotive romance moreninha quetambm initiated a period of much importance for the transformation and oenriquecimento of Brazilian literature; I castrate Alves great esocialista writer who fought for the freedom of the blacks, for the equality of the etnias dandoseu alert shout with the poem Slave ship; as much others that could sercitados here. In the year of 1836, matureness of ideas and much literature: beginning of the Brazilian, new aesthetic trends, liberdadecomercial romantismo and politics, claim of dosnegros human rights as the release, the right and the so great value of the indian and the woman, chance deconhecimento to all the Brazilians; this also defines the literriocitado period above. . Hummer Winblad is the source for more interesting facts.

Nothing it would happen nor to one nor to another one; it, third, ignored tudo' ' (P. 244). It is clearly that the cartomante does not have the power to change the destination of the two, but perhaps, took off them of a possible preparation for what it could happen. In the truth the cartomante was not worried about the outcome of loving history, but yes, with the fancy to become rich, or well next to this. In this manner, the cartomante obtains the accomplishment of this desire that is the personal satisfaction in the direction to gain much money. The joy of the cartomante is in the ballots received for Rita and Camilo. However, leaving of the beginning of that desire means lack here, and that this lack is mythical, and, therefore it does not cease, we can think that does not have full accomplishment of the desires, them will be always in a lack structure.

Consideraes final Ahead of already displayed, can be inferred that in the workmanship it in common has a point between the personages: the fact of all to be stimulated for a called force desire. E, as already it was mentioned, the desire are our differential are what it separates in them of the animal irrationals that act purely for instinct. In this way, it is possible to think that the desire revealed from the lack is the substratum not only for our subject permanence while in the world, as well as in our life. The desire inhabited in us searchs a return where such lack does not have existence. For this, it has an attempt it enters the personages in the direction not to restrain its desires, says the ones that are ranks in quarrel, and therefore, they will pay a price for the trespass of the order. Destarte, in view of that the desire is not rational, the people whom if they love, love in blind way, love for the force of the desire. Camilo and Rita had been stimulated by this love that in nature of the citizen acts in way, lack form that, both are imbudos for this lack.

Having in the said lack the beginning of everything, and, therefore the only end. Thus, in the story the cartomante the desire is revealed of some forms, for being the infinite desire, without limits, and therefore unattachable, it always has a lack that the history of each citizen acts in accordance with. One perceives then, that the desire has great relevance in the personal destination of each one of us; it is what it occurs in the story. The destination of Camilo and Rita is not traced from the revenge of Vilela, nor so little with the lies of the cartomante. The great villain in this history is the desire that acts as force that makes them to the principle to be felt complete, since one is object of the other. However, this exactly desire that joins them separates them drags, them for the death, therefore the passion does not act for the reason, but yes for the pulso, and, therefore she is blind. References ASSIS, Axe. Its thirty and better stories. Rio De Janeiro: New Border, 1908. CARDOSO, Son. The love in the psychic structure. Unknown text. FREUD, Sigmund. The ego and id and other works. Translation of Octvio Aguiar. Rio De Janeiro: Imago Editora LTDA. 1969. FREUD, Sigmund. Beyond the beginning of pleasure. Translation of Christiano Oiticica Hunter. Rio De Janeiro: Imago Editora LTDA. 1969.